The West Bend Current

Milwaukee Film

May 9, 2025

MFF Review: ‘The Librarians’ hits particularly close to home
May 9, 2025

MFF Review: ‘Peacock’ is both intelligent and funny
May 9, 2025

MFF Review: ‘Rent Free’ captures Generation Z to a T
May 9, 2025

MFF Review: ‘Secret Mall Apartment’ exhibits the power of great editing
May 9, 2025

MFF Review: ‘The Shrouds’ digs into uncanny production design
May 9, 2025

MFF Review: ‘Vulcanizadora’ maintains a beautifully odd tone
May 2, 2024

MFF Review: ‘Robot Dreams’ Is Sonically Brilliant
May 2, 2024

MFF Review: ‘Green Border’ Proves Struggle and Hope Can Be Tastefully Conveyed Together
May 2, 2024

MFF Review: ‘Stop Making Sense’ Is a Unique Concert Movie
May 2, 2024

MFF Review: ‘Prison in the Andes’ Manipulates Light Like Water
May 2, 2024

MFF Review: ‘Late Night with the Devil’ Brings Modern Analog Horror to the Big Screen
May 2, 2024

MFF Review: ‘Do Not Expect Too Much from the End of the World’ Masterfully Critiques Capitalism
May 30, 2023

Going the “extra” mile
October 25, 2019

Milwaukee Film Festival Review: The Ground Beneath My Feet
October 14, 2019

East Grad Worked Behind the Scenes at the Milwaukee Film Festival
October 5, 2017

Milwaukee Film Festival Review: Jasper Jones
October 17, 2016

Milwaukee Film Festival Review: Right Now, Wrong Then
September 26, 2016

Milwaukee Film Festival Review: Kaili Blues
October 4, 2015

Milwaukee Film Festival Review: Extraordinary Tales

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